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  • Van Achterbergh Prize 2022: Alexandra Engelfriet, solo exhibition at Princessehof National Museum of Ceramics, Leeuwarden, the Netherlands.

  • Intertwining, clay and wool installation, the Center for Ceramic Art, Ringebu, Norway. Film by Brage Kvasbø.


  • Shedding Skin I and II, performance and clay installation, Saint Martin-de-Salencey, France. Photography: Alexandra Engelfriet.


  • Immerse Impress Imprint, solo exhibition at Viervaart, Groede, the Netherlands. Photography: Iris Cornelis.



  • Site-specific clay installation at the Regis Art Center, Minneapolis, US, in conjunction with the exhibition The Form Will Find Its Way: Contemporary Ceramic Sculptural Abstraction.


  • Performance in Tbilisi, Contemporary Art Gallery of the Georgian National Museum, Tbilisi, Georgia. Part of the exhibition "A Mad Tea Party" by Lia Bagrationi.

  • Skinned, raw clay project realized at Museum Jorn, Silkeborg, Denmark, part of the exhibition LER!/CLAY!


  • Mixed Blood, project and permanent monumental ceramic work realized at STARworks, Star N.C., US.

  • Oorsprong, land-art project, part of the art-manifestation ‘Rondom Waalkens’, Finsterwolde, the Netherlands. Film: Marten van Holten.


  • Under Ground – 60 tons of clay, a digger, a body, raw clay land-art project in Park De Oude Warande, part of Luster – Clay in Sculpture Today, Fundament Foundation, Tilburg, the Netherlands. The film Fortiter et Suaviter (2018) by Jérémie Basset follows the realization of this project.

  • Gulgong Clay, land-art project at Morning View, Clay Gulgong 2016, Gulgong, NSW, Australia.



  • Glassporen – Molten glass meets raw clay, a project realized at The National Glass Centre, Sunderland, England. The film Glassporen (Alexandra Engelfriet) follows this ephemeral meeting.


  • 2014

  • Materiality - Body as a tool – Ceramic heritage as matter, raw clay project in collaboration with 10 artists, in the form of a Master Class, part of the European Ceramic Context 2014, Hasle Brick factory Klinkerskoven, Bornholm, Denmark.

  • Realization of the film Mudflows at Lønstrup Klint (Alexandra Engelfriet),Hjørring, Denmark.



  • Tranchée, project and permanent monumental ceramic work, realized for Le Vent des Forêts, Fresnes-au-Mont, France. The film Tranchée by Estelle Chrétien follows the realization of this piece.

  • Sonorité d’argile/Sound of clay, artist in residency and Performance in collaboration with jazz-musician Ab Baars, La Briqueterie, Ciry-le-Noble, France.



  • Raw clay project in les Halles de la Fonderie, Carouge, Switserland, part of the exhibition Ceramics Now!

  • Dust to Dust, raw clay project in Punt WG, Amsterdam, the Netherlands. Film: Marlou van den Berge.

  • Raw Material, collaborative raw clay project, Ringebu, Norway, with Torbjørn Kvasbø , Neil Brownsword, Katrine Køster Holst. Film: Marlou van den Berge.

  • Reclaim, raw clay project at the University of Tasmania, Hobart, Australia. Film: Glen Dunn.

  • Carla Koch Gallery, Amsterdam, the Netherlands.


  • 2009

  • Marl Hole, raw clay project initiated by Neil Brownsword as part of the British Ceramic Biennial, Stoke-on-Trent, England, in collaboration with Neil Brownsword, Torbjørn Kvasbø, Pekka Paikkari. Film: Johnny Magee. (catalogue)

  • Performance in the Airspace Gallery, Stoke-on-Trent, England.

  • Carla Koch Gallery, Amsterdam, the Netherlands.



  • RAM-foundation, Rotterdam, the Netherlands.



  • Carla Koch Gallery, Amsterdam, the Netherlands.

  • Gallery of the Amsterdam Medical Centre, the Netherlands.



  • Project during 1R Festival Internacional d’Art in La Bisbal d’Empordà, Spain.



  • Raw clay installation, part of the exhibition Real Estate, the Nederlandsche Bank, Amsterdam, the Netherlands.


  • 2000

  • Silt in Finsterwolde, project and solo-exhibition, Gallery Waalkens, Finsterwolde, the Netherlands.



  • Gestolde Actie/Solidified Action, raw clay project, Siegerpark, Amsterdam, the Netherlands, a commission of the Amsterdam Foundation for the Arts.



  • Flowing Sand, project in Monumento Urbano, a building by Aldo Rossi, Zaandam, the Netherlands.

  • Via Cava, project in Warehouse Africa, Amsterdam, the Netherlands.



  • The Skin of the Earth, project and solo exhibition, Technical University of Eindhoven, the Netherlands.



  • Loerakker Gallery, Amsterdam, the Netherlands.



  • Raw clay installation, part of the exhibition Brain Internal Affairs, the Beatrix Hospital, Gorinchem, The Netherlands.

  • Raw clay installation, final exam project at the Gerrit Rietveld Academy, Amsterdam, the Netherlands.

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