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PUBLICATIONS

2024

  • Kneading Dreams: Material Imagination and Agency in Performative Clay Works, by Hanna Louise Grønneberg and Thea Møller Jensen, chapter 10 in Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary: Rites Of Disimagination, published by Palgrave MacMillan Cham.

  • The Kinetic Nature of Ceramics, by Kristina Rutar, Ceramics Now Weekly #66.

  • On the cover of Craft and Design Practice from an Embodied Perspective, edited by Nithikul Nimkulrat and Camilla Groth, published by Routledge.

  • TERRA CERÀMICA, article in InfoCeràmica, 4 juei 2024.

 

2023

  • Hands, Eyes, Ceramics, Liesbet Waegemans, Lut Pil and Lotte Brown, published by BORGERHOFF & LAMBERIGT.

  • Studio Guide to Modern Ceramic Art, by Yanze Jiang, published by People’s Fine Arts Publishing Beijing.

  • Earth, Wind and Fire, by Alexandra Engelfriet, in studiopotter.org.

  • Compressing Atmosphere: Ceramic Encounters With Clay, Body and Site, Phd by Robyn Phelan, RMIT University Australia.

  • Handen en hoofd vol klei, interview in COLLECT België and COLLECT Nederland 2023/53.

 

2022

  • Featured artist in Ceramics Now Weekly #39.

  • Publication by the Centre for Ceramic Art, Ringebu, Norway, with a text by art critic Jennifer Sormin.

 

2021

  • Dépaysements, Local Contemporain No 12, published by La Laboratoire, France.

 

2020

  • Mastering Kilns & Firing, Lindsay Oesterritter, Quarto Publishing Group USA Inc.

 

​​2019

  • Delirious Lustwarande - Excursions in Contemporary Sculpture III, published by Lustwarade, Platform for Contemporary Sculpture.

  • The Clay and other essays, Phd thesis by Katrine Køster Holst, Oslo National Academy of the Arts, Norway.

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2018

  • LER!/CLAY!, published by Museum Jorn, Denmark, on the occasion of the exhibition with the same name.

  • On the cover of: Craft, edited by Tanya Harrod, published by Whitechapel Gallery, London, England.

  • Traces et empreintes, by Joël Riff, Revue de la céramique et du verre, issue 220, May-June 2018.

  • Solace in Complexity, phd thesis by Albert Cath, University of Humanistic Studies, Utrecht, the Netherlands.

 

2017

  • Vitamin C – Clay and Ceramic in Contemporary Art, published by Phaidon Press.

  • Embodying The Landscape, article by Sebastian Blackie, in The Journal of Australian Ceramics, Vol 56 No 1.

  • Imaginations, Interiors, Surfaces, book edited by E.A. Hodson, published by the University of Aberdeen, UK.

  • In the making: an anthropological study of how materials become works of art, phd thesis by Marc Higgin, University of Aberdeen, UK.

  • Vivre le Lieu, une expérience. Trois années d’art contemporain dans le bourg d’Ozenay, edited and published by Marc de Roover, France.

  • On the cover of: The Ceramics Reader, edited by Andrew Livingstone and Kevin Petrie, published by Bloomsbury, London, England.

 

2016

  • Moeder, fucking, aarde, review Metropolis M (22.10.2016) by Domeniek Ruyters, about Luster – Clay in sculpture today.

  • Wandelen langs de grenzen van keramiek, review in NRC Handelsblad (18.10.2016) by Lucette ter Borg, about Luster – Clay in sculpture today.

  • Sculpting a Large Container of Clay using Only Your Body, Masterclass 2015 on Cfile, online magazine on contemporary ceramics.

 

2015

  • Alexandra Engelfriet, La acción del cuerpo en la metamorphosis del barro, article by Antonia Vivas in Revista Internacional CERÁMICA, n.ᵒ 139.

  • New Directions in Ceramics:From Spectacle to Trace, book by Jo Dahn, Bloomsbury Publishing Plc, England.

  • Vuur, Aarde, Lucht en Water – The Ceramic Turn, by Sanneke Huisman, Metropolis M, NO 5 – Okt/Nov 2015.

  • Tranchée, Alexandra Engelfriet, article by anthropologist Marc Higgin in Cermamics Art and Perception, issue 99.

  • Yarrobil Issue #1, article by Karen K. Harsbo, Austrialia.

 

2014

  • Alexandra Engelfriet Sculpts 20 tons of Clay, the project Tranchée on Cfile, online magazine on contemporary ceramics.

 

2013

  • Dans la Meuse, les sculpteurs creusent leur sillon, review in Le Monde by Emmanuelle Lequeux about the project Tranchée, le Vent des Forêts, France.

  • Face à Face avec l’Argile, performance de Alexandra Engelfriet, article by Romain Barré in La Revue de la Céramique et du Verre, issue 192.

 

2012

  • From Raw to Fired, article by Nesrin During in Ceramic Review 256.

 

2011

  • Lerets Magi-Keramik i international samtidskunst, publication accompanying the exhibition in Museum Gammel Holtegaard, Copenhagen, Denmark. Preface by Edmund de Waal. Published by gl Holtegaard.

  • Bløde svurp, hårde knald: leret kan det hele, Mette Sandbye, Weekendavisen, review of the exhibition, Lerets Magi-Keramik i international samtidskunst”.

  • Psykologisk leireeksperiment: sporbart kun på film´ in Kunsthåndverk, Nr 4, 2011, Noorwegen, article about the project “Raw Material”.

 

2010

  • Catalogue of the project “Marl Hole”, Stoke on Trent, England, published by Gustavsbergs Konsthall, Stockholm, Sweden.

 

2009

  • “Mud, mud, glorious mud”, Grant Gibson, Crafts Magazine, England, review of the “Marl Hole” project.

  •  “Marl Hole, Airspace Gallery”, Stacey Booth, Degrees Unedited, review of the “Marl Hole” project.

 

2006

  • Room with a view, a book about the Bouwfonds Art collection.

 

2005

  • Beeldende kracht van klei, Chris Reinewald, Financieel Dagblad, review of the exhibition at the Carla Koch Gallery.

  • A choreography in clay, Wouter Welling, Kunstbeeld, article.

  • Kerameiki techni, international ceramic art review.

 

2001

  • Slik in Finsterwolde, Jan Abrahamse, Het Waddenbulletin, article.

  • Kruisen, klei en visgeesten, Edo Dijksterhuis, NRC Handelsblad, review of the exhibition “Ad Fontes!”.

 

2000

  • Dollard-Slik, Nieuwsblad van het Noorden, review of “Silt in Finsterwolde”.

  • Catalogue: Albert Waalkens, Benno Premselaprijs 2000.

  • Onroerend goed, Karel Ankerman, Het Parool, review of the exhibition “Real Estate”.

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1999

  • Gestolde Actie in het Siegerpark, Het Parool, review of the project “Solidified Action”.

  • Kunstproject in het Siegerpark, Amsterdams Stadsblad, review of the project “Solidified Action”.

 

1998

  • Catalogue accompanying the “Month of the Arts Ameland 1998”, The Netherlands.

  • Henk Borst, Noord Hollands Dagblad, review of the project “Flowing Sand” in Zaandam, the Netherlands.

 

1995

  • Catalogue accompanying the exhibition Uitgelicht, by the Netherlands Foundation for Visual Arts, Design and Architecture, Kunstrai 1995, Amsterdam, the Netherlands.

  • Review of the exhibition at the Loerakker Gallery, Amsterdam, by Els Roes, Nieuws van de dag.

  • Review of the exhibition at the Loerakker Gallery, Amsterdam, by Lucette ter Borg, NRC Handelsblad.

 

  • 1992

  • Catalogue accompanying the exhibition “Brain Internal Affairs” in the Beatrix Hospital in Gorinchem, The Netherlands.

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