"A thick layer of soft, white clay on the floor of my studio was first shaped into a sculptural and undulating ‘landscape’. It was consequently covered with a ‘skin,’ consisting of a thin layer of wool drenched in red clay slip mixed with a glue made of boiled flour. The skin softened the shapes of the clay. When it was nearly dry, I stripped the skin of the clay during a two-day performance. The clay shed its skin. With support of the Mondriaan Fund and Ocres Chauvin."

 

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